[…]Now that didn't do anything. It was badly handled badly. Well, it wasn't sold at all, really. It was badly handled by the by the group at the time by EMI. AndJim Shields  22:03  and unfortunately,John Hargreaves  22:05  well, yes. Well, they're the differences. They're in the sam[…]
[…] electronics - flying spot scanners are very complex machines. The EMI ones are, we're on a EMI not Cintels, but […]
[…] MARTIN SHEFFIELD: We g ot the rights for them at EMI when I was there, I worked for a short […]
[…] common transmitter capable of taking either our system or the EMI system. On the first floor there was studio A, […]
[…] to Hemdale. Became managing director. Then had an offer from EMI. Moved there with secretary Anne Boyle. Ran EMI UK […]
[…] Askew: Yeah. But this is not solely the attitude with EMI.. Jim Shields: Oh no, no.[Indecipherable] Maurice Askew: You know, […]
[…] in Elstree. Sidney Cole: Oh MGM - not MGM - EMI... Carmen Dillon: Not EMI, another one. Unidentified Sound Recordist: […]
[…] That was a wonderful sound because it was the old EMI, EMI tape. Yes. Yvonne Littlewood DRAFT. Tape 2 Side […]
[…] get anybody to set up. It was nearly done by EMI three or four years years before but my Hollywood […]
[…] because when it was taken over by Canon, then Thorn- EMI, yes. And of course every time it's taken over, […]
