[…]xed music there….that was a BBC mixer. It was an amalgam of different things, and some basic tape machines of the day. We had a couple of EMIs. Later on he got two very good Ampex machines which had had won from the Ministry of Defence and they had converted these machines I should[…]
[…]s there.Sidney Cole: Yes.Carmen Dillon: but I much. I didn't like the other one, you know, the smaller one in Elstree.Sidney Cole: Oh MGM - not MGM - EMI...Carmen Dillon: Not EMI, another one.Unidentified Sound Recordist: Rock Studios?Carmen Dillon: What?Sidney Cole: British National?Carmen Dillon: […]
[…]d it immediately. No problem. This this appealed to me enormously. I'm thinking that that was the Ships Ships with Wings. I was going to work on San Demitro That guy was ill and could'nt do it. But I did work for time witj Cavalcanti the Cavalcanti turned up there. Now he had been given contro[…]
[…] fields in company.with Laurence Olivier with Penelope Dudley Ward both of whom were working in a film calledDemi Paradise for Two Cities and I walked with them the way I might walk with my father or mother. And i[…]
[…] Zealand director, was he?Tilly Day: Yes. He was the director of 'You must get Married' [actually, A. Leslie Pearce]Sidney Cole: Hmm. That reminds me, have you been abroad at all during the course of - what locations abroad have you been on? You mentioned, just previously, going to North A[…]
[…] didn't mind you sitting in the staff room. But at EMI if you had no work to do you had […]
[…] didn't mind you sitting in the staff room. But at EMI if you had no work to do you had […]
[…] production manager, so we went in there, at BIP, well EMI... Sidney Cole: EMI now. Did you ever work at […]
