[…] production manager, so we went in there, at BIP, well EMI... Sidney Cole: EMI now. Did you ever work at […]
[…]Now that didn't do anything. It was badly handled badly. Well, it wasn't sold at all, really. It was badly handled by the by the group at the time by EMI. AndJim Shields 22:03 and unfortunately,John Hargreaves 22:05 well, yes. Well, they're the differences. They're in the sam[…]
[…]y you had to move to it?Joan Kemp-Welch: Yes, I think it was. I suppose it was.John P Hamilton Yes it was, yes, because they didn't get any Emitrons 'till '37.Roy Fowler: Well, around '36...Joan Kemp-Welch: I got a medal from the Wilkie Baird!Roy Fowler: ...they were on the […]
[…]nd ended up knowing a bit. And the good thing about Sequence was that it was a discovery for its editors.Also it wasn't in any way theoretical or academic, even though it did start at Oxford. So that for instance the French influence which came later to dominate English writing the about films and t[…]
[…]ne! That's old ground and we won't mill over it too long. But just to say one thing, I was absolutely lost, because I was surrounded by brilliant academic minds, they were all 'double firsts' from Oxbridge you see. And frankly, I could have been in Tibet, I didn't know what the heck they were talkin[…]
[…] Conti nuity LW 8 Richard (Dickie) Best BBC ,  EMI Elstree ,  Rank Film ,  TV Editor  […]
[…] Askew: Yeah. But this is not solely the attitude with EMI.. Jim Shields: Oh no, no.[Indecipherable] Maurice Askew: You know, […]
[…] Baird system which, for a while, ran alternately with the EMI electronic system. But the Baird system was fixed, it […]