[…] in 1958 - and I am referring for the purpose of whoever is listening to this recording to Norman Swallow and Alan Lawson - used to have an office at Ealing and I don't know what, to tell you the truth, you must tell me, your actual official titles were in '58. You shared an office and sat either si[…]
[…]low called Robeck was negotiating for Time Inc. and he was a big, tall man he was about six foot five and he marched up and down at Villiers House in Ealing, and then I went over to America to Time and he marched up and down arguing and arguing about the price and the conditions, and then suddenly I[…]
[…] No, it was before he went to Panorama. AL I see. JG Because, then the Tonight programme started, and Tony Essex, who had been an editor at Ealing, who was, and was cutting a lot of things for Bavistock, and Aidan Crawley [indistinct], I remember, and David Thompson was his assistant and w[…]
[…] were all in the same office so you learnt as you went along, became more useful obviously as you learnt it. In point of fact, Olive and Ronnie were dealing with the artists all the time, but particularly they had a lot to do with the younger artists, the new ones coming in. So that included all the[…]
[…]mixed in a booth. They used. To come out to talk to on the set. Jemmy Dooley was sound camera Jack Dooley's brother who was a still man. Elstreeer at Ealing Jemmy Dooley dear old Jones was still studio manager. And the famous Elkins brothers. They are both. Taffy Elkins and electrician. His brother […]
[…]the government wanted them, on the screens of the nation's cinemas just as quickly as they could be got onto the screens. So I went to meet Balcon at Ealing, he took them on and John Paddy Carstairs and I wrote the script, and I think I thought Paddy was the right director because he was extremely q[…]
