[…] while on a propaganda film at Denham, One was waiting to be called up. Then Cavalcanti wanted me to go and cut a little film called Young Veteran at Ealing and apparently my work was satisfactory because they wanted me to go on and on and so I became a reserved occupation and I stayed at EalingSC: […]
[…] was off disc. Anyway we entered it for some amateur competition and we won. We got top billing Harry Watt there Harry Watt who subsequently mattered Ealing was the judge and gave us the top mar ks. Then we made a film because it was Festival of Britain 1951. We made a film called the Boston story. […]
[…]d so was another lovely continuity, who had been a continuity girl, Diana McNab, I don't know if you remember her?Oh Yes.She was working...She was at Ealing though wasn't she?She worked for David Rose at that time. Anyway, I was a sort of little secretary to a couple of the legal department. And whi[…]
[…] Harry Kratz to work on The Titfield Thunderbolt (1953) at Ealing Studios. She worked on the surprise success Genevieve (1953) […]
[…], I mean I'm talking personally about him to you this afternoon on the whole, but I think probably Winnington was writing about him, his influence at Ealing studios, in which case it probably wasn't fair, you know. But if you pursue the metaphor and take away the puritan for a moment then the patern[…]
[…] she really gave me hell, Peggy, she won't mind my saying so now, but she did. First of all we were at Worton Hall for a short time. Then we moved to Ealing with was ARP.Roy Fowler: ATPPeter Tanner: No even before it was ATP it was ARP which was to do with RKO. It was that transition betwe[…]
[…]y, you must do all these kind of things," and they were a wonderful influence on me. And later on I think - perhaps I can jump a little - I worked at Ealing studios and having finished Titfield Thunderbolt, Vivienne (I can't remember her second name) said to me, "You must go and see a very nice man […]
[…] so I went off to see him, and he said in his rather pompous way "We’re starting a film studio. Perhaps you would like to go down and see it, it’s at Ealing". So I said "Oh yes I would like to". He said "Well go down and look at it, it’s not open yet and when we start, perhaps you would like to be t[…]
[…] Worton Hall for a short time. Then we moved to Ealing with was ARP. Roy Fowler: AT P Peter Tanner: […]
