[…]ing to do. We did it as an OB in, in the house which is not very far away from here in Acton and also in a hospital that is no longer in existence in Ealing, King Edward VII or whatever it was. And we used that, and it was January and I remember it was freezing cold so that everyone was talking to e[…]
[…]was the cameraman, theoperator was a guy called Moray Grant. He did an awful lot of the Carry On films, or should I say Ealing films, not the Carry Ons. Wally Byatt was the focus puller. John Higgins at one time and I learnt, I was with them as […]
[…]which was run, was owned, by the National Autistic Society and I became the principal and I stayed there about a dozen years. It was a big school, in Ealing,RF: There was very considerable change in direction, did you miss the film industry?LK: Yes oh terribly, I had withdrawal symptoms the same as […]
[…]ned him into it. And I largely conned him into it. Well, together with Oliver, who was a great friend of his and who, who, again, you know, had been dealing with David over the years, very, very much because of, you know, where his job brought him into day to day contact with, with David, which is m[…]
[…]ecause they burn out a lot earlier.Dicky Leeman: Yes. [Break in recording]Rodney Giesler: Dicky, tell me of your time working with Maggie Lockwood at Ealing.Dicky Leeman: Well I was playing the part of a pageboy in the court scene, with John Loder. And although she wasn't in that scene, Maggie happe[…]
[…]e course, the idea of having colour music demonstrations, and That's out of the question. I found myself down in the factory, which was then moved to Ealing because it will become much bigger and I was testing landing lights. So aircraft could come down on the these aircraft carriers. And that's a s[…]
