[…]ve access to BBC. And we were offering a facility in Bristol wonderful. At that time again you got to remember the local BBC was not used by. London. Ealing hadn't happened as it has today. So when they wanted something done for Manchester. Or London they wouldn't ask the local BBC because they didn[…]
[…]ted to an almost total extent by his religious beliefs, convictions. John Davis was not the power then that he subsequently became? Did you have any dealings with him at all?Vernon Sewell: He got rid of [sid? Oscar]. Stanley Bates, who was my Marlborough friend, was co-director with Davis and f[…]
[…]e being on the staff I used to get paid per episode; I got 56 pounds for the first Maigret And that included, filming in France, filming in Ealing and all the studio filming.I: Was some of that actually filmed in France?ED: All the exteriors were, well most of the exteriors there[…]
[…]rd: I knew them in Dorset Square.Rodney Giesler: That was later. More names. Sarah Erulkar came to edit. Geoffrey Bell was there as a director. Ezra Dealing. Jack Ellitt, he was a buddy of Donald's.John Legard: Jack Ellitt was with us at Transport Films for a time because he edited a film that John […]
[…]t, and where they got to because one of the lesser juvenile parts and it was Laurence Harvey, who Dickie was so taken by him that he got him apart at Ealing. I think it was in the blue lamp which set him off on his career. And it was another black friend at Lawrence Naismith, who became quite well k[…]
[…]now. But in the meantime, Cavalcanti had been approached by Mickey Balkan, Mickey Balkan had this idea of making humorous satirical documentaries or dealing cab when to eat intimate yellow Caesar. Remember the Mussolini? Well, there was a song vamos a Nico dlss. Kevin made a big welcome. I don't thi[…]
