[…] tend to forget about . There was a studio in Ealing … I mean not Ealing Studios which I am […]
[…] but this was after... this was when he was... after Ealing was it? Or is Ealing still going then? Pat […]
[…] but this was after... this was when he was... after Ealing was it? Or is Ealing still going then? Pat […]
[…] of good stuff. RF: They le t him go to Ealing, do you know why? RW B: They probably ran […]
[…]l this, but they weren’t the straightestof companies, so we were terribly cheated with Brent Walker.MARTIN SHEFFIELD: Yes, I do know because we were dealing a lot with them at Kays at the time, we did The Stud and The Bitch and various others all done there. NORMAN J. WARREN: Yes[…]
[…]ors all the studios I went up to see is it D C Sewell head of sound. The time they were producing the wicked Lady 1946. Mason & Grainger to Ealing. I didn't even get an interview at Ealing. The various documentary outfits, which was smaller and I was told, you know, this is the place to ge[…]
[…]ttle Of The River Plate. John Schlesinger: That's true, when I left university we had had a rather strange experience with Sir Michael Balcon at Ealing. And Freddie Shaughnessy who was a writer and came to see Black Legend which was the film about the hanging which we decided, a friend of my fa[…]
[…] Super Parvo I think they were Cooks. When we went over to B & D there were a lot of AstrosAlan Lawson: Yes, because I can remember when I was at Ealing and we had Astros on the Mitchells there. It's funny that they should go to the Astros, very soft.Freddie Francis: I think they ought to go bac[…]