[…]rath lane and he was the M.A. in right. And then of course he went to Ealing didn't he. I think training and a different parent came over and director […]
[…] in 1958 - and I am referring for the purpose of whoever is listening to this recording to Norman Swallow and Alan Lawson - used to have an office at Ealing and I don't know what, to tell you the truth, you must tell me, your actual official titles were in '58. You shared an office and sat either si[…]
[…]low called Robeck was negotiating for Time Inc. and he was a big, tall man he was about six foot five and he marched up and down at Villiers House in Ealing, and then I went over to America to Time and he marched up and down arguing and arguing about the price and the conditions, and then suddenly I[…]
[…]t forAlan Lawson 36:35 what what what once they started on monopack what did you do thenAlf Cooper 36:46 for monopack you're dealing with something of a different thing monopack was only used for the Olympic Games the Olympic Games I changed 19 18 cameras over to monopack tha[…]
[…] John Seabourne to your table and start him because gradually nobody else spoke and John would be telling one of his often outlandish stories about stealing horses during the 1914-18 war and all that. Were you all at one studio in those days?Reggie Beck: Walton.Wyn Ryder: John was permanen[…]
[…] producers, films about careless talk, done very quickly, Balcon at Ealing, John Paddy Carstairs and I wro te the scripts, […]
[…] On Sunday – a dark and complex domestic thriller from Ealing Studios, from a time before it became overwhelmingly associated with […]