Fred Tomlin

[…] the Tyrol?" He had a second unit working there from Ealing Studio, they'd been doing some exterior stuff and background […]

John Aldred

[…] cameraman by now. In fact very early on in my career the ACT had an employment bureau even then and one of the jobs they got me was a week’s work at Ealing studios in the camera department where I worked as clapper loader for Ronnie Neame. I used to hang his overcoat up in the morning, load the mag[…]

John Aldred

[…] jobs they got me was a week ’s work at Ealing studios in the camera department where I worked as clapper […]

Fred Tomlin

[…]k at the studio, Basil Dean did, and said, "Could I borrow the sound crew to go further over into the Tyrol?" He had a second unit working there from Ealing Studio, they'd been doing some exterior stuff and background stuff for a picture called Autumn Crocus! And Michael Balcon agreed, so that we we[…]

Peter Tanner

[…] she really gave me hell, Peggy, she won't mind my saying so now, but she did. First of all we were at Worton Hall for a short time. Then we moved to Ealing with was ARP.Roy Fowler: ATPPeter Tanner: No even before it was ATP it was ARP which was to do with RKO. It was that transition betwe[…]

Keith Ewart

[…] Sterling, who was my agent, therefore on the third probably it was all fashion in vasett Studios. When I moved back to oh no, because I was already dealing with the advertising agencies. So I'd started doing some commercial photography, but mainly beauty and so on. Difficult things to print, experi[…]

A A (Tubby) Englander

[…]Universal in their heyday, either before or immediately after the war. It was a fantastic number of people that we had down in the film department in Ealing. I don't know what it is at the moment but I shouldn't think it's any less at the moment.Arthur Graham: You referred to Ealing, you'd moved fro[…]

Peggy Gick

[…] shot at Ealing? Peggy Gick: At Ealing. John Legard: At Ealing Studios, yeah, hmm... Peggy Gick: And we built the deck […]

peter-tanner-history-project

[…] the end of ‘47 Michael Balcon wanted an editor for Ealing Studios and I knew an editor, Michael Truman who had […]

Peggy Gick

[…]d: Yeah...about that, yeah...Peggy Gick: And he said, "well I've just taken on somebody but come back in a couple of weeks." Meanwhile I went down to Ealing who were also asking for somebody and there I saw [Teddy Carrick] and he took me on at once! [Chuckles.]John Legard: Oh really! So you started […]
Scroll to Top