Search Results for: Ealing Studios

[…] at all?C. D. I don’t think so, no. I don't know that side of it. We did another picture, mainly on location, following 'Blue Lamp” which was made at Ealing. We did ' Police Woman'. That was done on location in London. A normal good picture. Another picture in Kensington, again on location called 'L[…]

[…]l this, but they weren’t the straightestof companies, so we were terribly cheated with Brent Walker.MARTIN SHEFFIELD: Yes, I do know because we were dealing a lot with them at Kays at the time, we did The Stud and The Bitch and various others all done there. NORMAN J. WARREN: Yes[…]

[…] was at the television film studios because the Film Library was part of the Film Department and the Film Department was based at the film studios at Ealing.  And so, I went for an interview and I think there were four people interviewing me.  There was obviously part of the management of […]

[…]wn at South Norwood Henderson's run by the Lucas brothers about three or four years ago, they had a terrific conflagration down some original negs of Ealing studio films and went up andRichard Marden  16:14  really. That's very sad. AndAlan Legard  16:17  unfortunately, they had […]

[…]es's daughter, she was only twelve, she was acting at that time. And, the next feature film I think was Halfway House - it was supposed to be made at Ealing but they didn't have any room so they pushed it over to us. That was Mervyn Johns and his daughter Glynis Johns, and she was only sixteen at th[…]

[…]obert Hamer is listed as associate producer. Ernie Palmer was the cameraman.Robert Beatty: All very pleasant people, everybody was very sweet down at Ealing. It was a real family atmosphere down at Ealing. They ate together in the same dining room, there was a site where the actors and directors ate[…]

[…]said "Oh, I think I...I've got a connection somewhere..." Anyway, about a couple of months later, he said "Now, if you ring up a Mr Bunny Williams at Ealing Studios...er the old ATP..." I said "Er...yes" He said "and he may be able to help you." So I rang up Mr Williams, and of course I was always t[…]

[…]the government wanted them, on the screens of the nation's cinemas just as quickly as they could be got onto the screens. So I went to meet Balcon at Ealing, he took them on and John Paddy Carstairs and I wrote the script, and I think I thought Paddy was the right director because he was extremely q[…]