[…]ust flat. And I remember running around a couple of Saturdays or Sundays with three or four hundred other boys as part of that, yeah.DB: That was for Ealing Studios. Did you ever work for Ealing Studios? PM: I did. The only time I worked there was much later. I did Tales from the Crypt. I did n[…]
[…]d that enormously. But again, that ceased because 20th has stopped production. But through Fox, British, I heard I was introduced to Ernie Marlowe of Ealing studios, who employed me as his secretary, but failed to let me know that I also had to work for Colin Leslie, who was production supervisor an[…]
[…]tor, and the best way to be a director was via editing. Because at that time there was David Lean, there was Charlie Crichton, Charlie Frend, all the Ealing people, who had come from editors and were then directing. So, that... And I have... I suppose, as you say, it was before feminism or whatever,[…]
[…]s is this is it. So I had an hour's training and I consider myself ready to go.SPEAKER: M3So following Monday I travelled on the bus from Oxbridge to Ealing Broadway and got off the bus at the usual place buying I think was a store called Sanders. It had been the previous Friday when I got the job b[…]
[…]wn at South Norwood Henderson's run by the Lucas brothers about three or four years ago, they had a terrific conflagration down some original negs of Ealing studio films and went up andRichard Marden 16:14 really. That's very sad. AndAlan Legard 16:17 unfortunately, they had […]
[…]the government wanted them, on the screens of the nation's cinemas just as quickly as they could be got onto the screens. So I went to meet Balcon at Ealing, he took them on and John Paddy Carstairs and I wrote the script, and I think I thought Paddy was the right director because he was extremely q[…]
[…] There was a studio in Ealing … I mean not Ealing Studios which I am pleased to say that is doing […]
[…]l this, but they weren’t the straightestof companies, so we were terribly cheated with Brent Walker.MARTIN SHEFFIELD: Yes, I do know because we were dealing a lot with them at Kays at the time, we did The Stud and The Bitch and various others all done there. NORMAN J. WARREN: Yes[…]
[…]tinued interviewing these old boys, and then Tony did a session interviewing them in the studio for a bit. Oh, what we did is we had a stage at Ealing and I was to interview… Tony started off doing it and then sort of gave up on it and handed it to me, interview on film, 8 a day, for two weeks[…]
