Search Results for: Ealing Studios

[…] On Sunday – a dark and complex domestic thriller from Ealing Studios, from a time before it became overwhelmingly associated with […]

[…]tant and what was the procedure to step up to be a cameraman? Well, I was an assistant for about nine years, I think. And I mean, it's amazing place healing because there were I mean, I never went to film school. But Ealing was my film school, really because there were 90 and at least 60 Film crews […]

[…]ob was to keep The BBC out of the papers.Oh I think so, yes, yes. I know what you mean.Not to promote anything.No, no, no, no.I mean the problem was dealing with people who complained about things.Of course, indeed, indeed, yes, yes.And tried to sue us or whatever, you know.And if you remember too D[…]

[…]tinued interviewing these old boys, and then Tony did a session interviewing them in the studio for a bit.  Oh, what we did is we had a stage at Ealing and I was to interview… Tony started off doing it and then sort of gave up on it and handed it to me, interview on film, 8 a day, for two weeks[…]

[…]ted to an almost total extent by his religious beliefs, convictions. John Davis was not the power then that he subsequently became? Did you have any dealings with him at all?Vernon Sewell: He got rid of [sid? Oscar]. Stanley Bates, who was my Marlborough friend, was co-director with Davis and f[…]

[…]or some people with other human attributesNorman Swallow I remember, we're now 1956 obviously Suez I remember it soon after that you had an office in EalingDavid Attenborough: A long, long time after that, what happened then was, if we revert to what we were doing all of us as producers and what the[…]

[…]p;Lawson: That's true. Stephen Peet: Geographically where was this department based, was it in Ealing now. Norman Swallow: No the documentary Department was at Television Centre by this[…]