[…]set in...? No, we went to Paris.You did? Oh we did, yes.I remember you built something in a… And we went to Cherbourg as well.Ah, ha. Mm. We built at Elstree, we built a Paris street.Yes. And, and a café. Because we reckoned it was going to be too difficult to do it in Paris.Yes, yes. And so I said […]
[…]suppose the best Hammer film or the most important Hammer film was, erm, before the horror thing. Oh. I've lost it. Sorry.[01:15:18:620] Made at Elstree Studios. I'm trying to think of it, it’s a famous book. Can we just stop a minute?JK: Of course, of course.BJ: Yes and of course I was very fo[…]
[…]ame as the Strand, and in fact…what had happened to Strand – it had been taken over by British National, and moved to British National a few years in Elstree, and er…so we were literally in the same cutting rooms and everything, it was…Interviewer – Can you tell us a little bit about Merton Park as […]
[…] taking over cinemas and what have you. At the same time they decided that they would operate together with what was known then as the BIP Studios in Elstree, which is the old BIP Studios that you know down the road, because it eventually became the ABC and all that sort of thing. So he decided to e[…]
[…]f 'B' pictures with Monty Berman.Sydney Samuelson: At Ealing?Erica Masters: No not at Ealing, no, this was after Ealing.Sydney Samuelson: That was at Elstree?Erica Masters: No, no, at Twickenham. Yes.Sydney Samuelson: Oh, I'm thinking of his television series at Elstree, OK...Erica Masters: And on t[…]
[…]espect for him. I loved him and been bad love him, I liked him very much And when we came to mix the film, which we did at the Gate studios, at Elstree were the Maurice Maurice chief mixer Maurice Askew what a wonderful mixer it was in the days when you had magnetic but you didn't have r[…]
