[…]r; JB talks about the various roles in the art department; JB mentions Rollerball and a party sequence set in the not-too-distance future which was a challenge for costume design; period must be respected in when making period films.00:29:55 – 00:32:00 JB talks about working with costume designer Ph[…]
[…]o, it wasn't a Waugh, it was a well-known camera.Alan Lawson: Well - the Bell? No, it wouldn't have been a Bell, No - Mitchell?John Turner: I can't remember what we used actually, terrible isn't it? Anyway, one of the big jobs we had was at Lincoln when they used to run the Lincoln race at Lincoln, […]
[…]inner and his father died shortly afterwards; KA attended St Paul’s School until 1937 and then attended the Bartlett School of Architecture at London University where he studied until 1939; KA was involved in wartime work including the design of air-raid shelters, illustrating books on air-raid prec[…]
[…]ng it for about 18 months when I went on. On an off site. I mean, as far as I could make out if you Russian productions have you know, more or less a lifetime's existence once you've got on and he couldn't speak a word of English and yet he was directing Peter Finch and Sean Connery German guide I c[…]
[…]ful.Sidney Cole: Well you're like me in the sense that my first job - your first job was in films, which is what you wanted to do, and worked a whole lifetime, yes.Carmen Dillon: Yes. And there was one other who got into film, she was at Ealing wasn't she, that woman? Very nice pleasant person.Sidne[…]
