[…]ios and see if you can get it up there. If you're interested in the film industry. Okay, I'll try that. jumped on my bike, rode up there and always remember the guy on the gate. That because they will dress beautifully, smartly those it was a sergeant of arms, and his name was Maurice. And he said, […]
[…]e 1970s. Kind of your assumptions that you, perhaps, you developed together around the use of colour.CM: Well, the film we made after Kes was After a Lifetime by Neville Smith, set in Liverpool, and that was a colour film. And it was in colour because it was made for London Weekend Television and th[…]
[…]ed and I got told off several times for picking up things and "Don't touch that!" and you have to be driven and so on. It didn't work because I can remember filming in Europe, filming abroad, we had to take a driver with us and he was so terrified at driving on the right-hand side of the road that I[…]
[…]bsp;R: I think you would have said by pure chance! And just by luck, in a way, because I came to Scotland in 1952 and STV started in 1957 and I can remember arriving in Paisley to do a show with Jack Milroy and I originally came to work with Jack Milroy for five weeks only as an experiment to see wh[…]
[…]they didn't know quite who to replace David with because although we weren't doing these shows we weren't, it could not be that we hadn't had along a lifetime. Michael wearing nice, the two then producing other than working in Birmingham, and they were nervous of that. And it did begin the decline o[…]
