Chris Menges

[…]e 1970s. Kind of your assumptions that you, perhaps, you developed together around the use of colour.CM: Well, the film we made after Kes was After a Lifetime by Neville Smith, set in Liverpool, and that was a colour film. And it was in colour because it was made for London Weekend Television and th[…]

Alistair Murray Moffat

[…]ed and I got told off several times for picking up things and "Don't touch that!" and you have to be driven and so on. It didn't work because I can remember filming in Europe, filming abroad, we had to take a driver with us and he was so terrified at driving on the right-hand side of the road that I[…]

Cecil Buckland

[…]bsp;R: I think you would have said by pure chance! And just by luck, in a way, because I came to Scotland in 1952 and STV started in 1957 and I can remember arriving in Paisley to do a show with Jack Milroy and I originally came to work with Jack Milroy for five weeks only as an experiment to see wh[…]

Peter Ansorge

[…]they didn't know quite who to replace David with because although we weren't doing these shows we weren't, it could not be that we hadn't had along a lifetime. Michael wearing nice, the two then producing other than working in Birmingham, and they were nervous of that. And it did begin the decline o[…]
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