Sheila Collins

This recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (2015).BECTU History Project Interview […]

HP0024 Sheila Collins – Transcript

[…] by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell […]

billywilliamsbectu-tape2

[…] side. And during the late 60s and early 70s, British film production largely through American investment was flourishing. And Samuelsons […]

Ivor Montagu

[…] credit on Scott of the Antarctic (1948). Montagu’s career in film production ran parallel to his work as and film […]

David Prosser

[…]ProsserTape 1, Side 1Alan Lawson: The copyright of this recording is vested in the ACTT History Project. David Prosser, Newsreel cameraman, later BBC film cameraman. Recorded on the 23rd of the fifth, 1989 at his home in Chandler's Ford, Interviewer Alan Lawson. Side one.[break in recording]Alan Law[…]

Francis Searle

[…]ar and surface wear, so they had to be balanced. So it was a bit of a, you know, correctly, balanced. Do you rememberRoy Fowler  35:51  the film that was involved? Oh, I don't know. No, not the film, but it may well have been Don Juan or Don Juan. I imagine Don Juan being Warner Brothers.S[…]

Marion Grierson (Taylor)

Interview with Marion GriersonInterviewer: Margaret Thompson MT: This is Margaret Thompson interviewing Marion Grierson; documentary film director, editor reporter, literary editor and writer.these were the professions that she followed in the early years of documentary filmmaking. She later we[…]

Joan Kemp

[…] working initially in the theatre and subsequently on screen. Her film credits include The Citadel (1938) and Goodbye Mr Chips […]

Jim Peters

[…]hirty years!" because there was no natural progression from there. They had a Staff Photographer, Harry Wilson, and I was there simply to process his films and, at that time, we used to send out lots of stills to newspapers so that was my job to deal with that and because of Union demarcation and al[…]
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