[…]ous. The University's audio visual unit was very supportive of Unit Sixty Five and let us use their studio at lunchtimes and also let us borrow their film camera from time to time. Jim Harold, who was the head of the audio visual unit let us borrow an Arri ST and my friend and I at university […]
[…] of Humphries Laboratories, but still found time to produce a film for the Children’s Film Foundation. SUMMARY: In this interview, […]
[…]t school. It was then a very, very, mixed school, socially very, very, mixed; went to read history as an undergraduate at Cambridge, and then studied film, as a postgraduate at Bristol, and was very keen to try and find a way to bring these two great interest of mine, film and history together, and […]
[…]unning the operational side of Movietone until the War. He was a first class aerialphotographer, having been in the RAF as a Pilot. He specialised in film work from the air and heassigned himself to the flying jobs.Q Can you tell me his name?A Jack. When the war came he became a correspondent - war […]
[…];And I had two older sisters, and a younger brother. So I had plenty of people around with me. And nobody had any sort of influence for me to go into films, or theatre or anything. I hadn't got a particular desire to go to theatre. I wanted to film because I could see that you were able t[…]
[…] what to do but I had an uncle in the film business and he said he could get me a […]
[…] (1929), which Hitchcock later made into the first British feature film with synchronized sound. Other writing credits as a collaborator […]
