[…]nds a week. And for about two or three weeks, or a month, they would take this money off you and they'd teach you what they could as regards making a film up and joining the two reels together, and making joins. Because you didn't have the automatic joins in those days, everything had to be done wit[…]
Yvonne Littlewood DRAFT. Tape 1 Side AThis recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). ([…]
[…] also a movie addict. We used to go miles to film societies and I would see all the French films […]
[…] by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell […]
[…]0 The copyright that this recording is vested in the British Entertainment History Project. The name of the interviewee is Madeline Smith; film, television and theatre actress and radio. The interviewer is Mike Dick, and John Luton is on camera. The interview number is seven two two and t[…]
[…]neer. Who came over from America magazine called Mac Ames now me to a young lad that was quite something I mean we'd seen.SPEAKER: F5Americans in the films and all that sort of thing. But here was a real live American with an American car which he brought over called a Chevrolet and that was an obje[…]
[…] after Moulin Range I know you went on to another film not with John Houston butwaht was was your next […]
[…]horst one. At that time I was finding people, going to see people, in Germany and in Britain, finding participants and I also started to do the film research and I remember my first visit to the Imperial War Museum and being absolutely fascinated by this film that was running … I hadn’t a clue[…]
