Search Results for: Film

[…]bsp;as I loved selling things. That's possibly the connection of getting myself into films. But that was how it went onfor years and everybody, my brother, alas he&n[…]

[…] by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell […]

[…] of you know where you know which ones in the film you would see and this is the way he […]

[…]early, and it’s quite an interesting contrast just to dwell on for a moment. Left to themselves or without kind of political interventions most other film unions in the world have developed a guild structure because the only allegiance people feel, really feel, yes? is to the people who do the same […]

BECTU History Project Interview No 526.Mel Faber.Feature films: advertising and distribution.Interviewed by Brian Taylor and John Legard. 30.09.2003.Transcription by Allen Eyles, September 2007.INTERVIEW WITH MEL FABER FOR BECTU HISTORY PROJECTMF: I'm a Liverpudlian as you may gather from a problem […]

This recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (2015).BECTU History ProjectInterview n[…]

[…]den@btinternet.com. Alan Lawson  0:06  The copyright of this recording is vested in the back to history project. JOHN Shirley, Feature Film Editor, interviewer, Alan Lawson, with sid Wilson, recorded on the 29th of September 1993. side one? Well, first, john, when and where were you b[…]

[…]hen it was taken over by a motion picture company - I'm not at all sure whether it was Paramount or something like that. And they used to make silent films round there, and occasionally they would enlist some local people for crowd scenes, everybody would be in it from round about you see, and there[…]