Jocelyn Rickards

[…]5 – 00:43:30 By 1950, JR is still painting; she talks about some of the paintings sold during this period; Loudon Sainthill was asked to storyboard a film version of A Midsummer Night’s Dream for which he sought the help of JR and Margaret Olley; JR discusses some of her other activities during this[…]

John Ammonds

[…]operator in engineering division. But, so I was after this I I think we had a month in London being trained. One of the people who trained me was the film director Ken Hughes. Do you remember Ken Hughes? John P. Hamilton  15:06  Oh indeed yes, yes. John Ammonds &nb[…]

Brian Shemmings

[…]p;and Les move was put into independent television and I went across to feature films and I also took the old shot shorts and documentary branch or under my&nbs[…]

Bill Cotton

[…]aylor: You said it was simpler in those days. So you had a good start in life.Bill Cotton Jr: In terms of the industry, yes. My brother went into the film industry, he was a pilot, a mosquito pilot during the war, and he caught TB, and when he was3rdcured of that he went to Shepperton and became a a[…]

Martin Gibbons

[…]peaker 2  20:04  more common wise ones that were discovered, I think the most recent one was or that they have done. A restoration was this film reel discovered, I believe in in Africa. It was and it was in such a poor state. But I've managed to use some amazing technology to get images fr[…]

Mike Fentiman

[…]of recognisable memory and then went on with a touch of that. I mean, I was too young to actually regard Hope and Glory as a as a an autobiographical film, but I was seven at the end of the war. So it was very enjoyable, very enjoyable. Stephen Peet  4:06  So by the time the[…]
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