Copyright is vested in the BECTU History ProjectFREDDIE FRANCIS, lighting cameraman, feature film director, interviewer Alan Lawson, recorded on 24 November 1993SIDE 1, TAPE 1Alan Lawson: When and where were you born?Freddie Francis: I was born in the wilds of North London, Barnesbury, north London […]
[…]ods. The Carmichaels are certainly Ian's family, and the Greenwoods are also tied up in some way with the Greenwoods that one comes up against in the film industry. We wrote on slates, and we learnt to read and all the rest - we learnt a little bit of French, and when I was seven my father was trans[…]
[…]odness me! Yes!Pat Jackson: So that didn't help. So I was now sixteen, and I got, through a dear old friend of mine, Henry Blyth - who was one of the film critics on the Times, later on - brilliant chap! [NB: could be Henry Blyth, screenwriter, b 1911, who was co-writer of Jackson's Seven Keys in 19[…]
[…]the result was that I spent from September 1939, till early 1946. Alan Lawson  2:40  And the artillery, you have any great interest in films or cinema?Unknown Speaker  2:45  school?Robert Angel  2:46  Yes, I always was interested from an early age in the theatre an[…]
[…]ly you are right. But can I just say that to start as it were in the middle, as I think you know, he was knighted in 1947 for services to the British film industry during the war. He was also a Knight First Class of the Order of St. Olaf, Norway, which he and Charlie Frend acquired I think because o[…]
[…] I learned more at Pathé, I suppose, than I did at any other place, other than in television, because what I learned was the discipline of writing to film, two words a foot, and I learnt it in a very hard school, taught by two Fleet Street newspaper men, one called David [s.l. Cole 0:04:42], the oth[…]
[…] off?NORMAN J. WARREN: Absolutely no. The only thing is my parents, both of them, particularly my mother, were absolutely just complete[ly] mad about films, you know, real cinema fans. My mother in particular. She would do anything to go and see the next film. She was always telling me stories about[…]
[…]I'm afraid I can't remember. I believe it was pretty much of a solo effort. I mentioned moving images because further on I saw an advertisement for a film projector complete with film and battery for 12 s. and 6d so I had to save up all my pocket money which I think in those days was sixpence a week[…]
[…]and beauty in the theatre and doing the jolly things that weren't acting at work. So the war of a node that bargain and I had been very interested in films, which had been really one of the things although music was the principal here, and I'd also been very interested in films, I can remember produ[…]
[…] we’ve got to ask today. So, I wonder if you could just begin by giving an overview – if I can take you back slightly – in how your early interest in film and colour photography started. Where did that spark on interest come from?CF: I started out… my first work as such was for Kodak, and there was […]