[…] I learned more at Pathé, I suppose, than I did at any other place, other than in television, because what I learned was the discipline of writing to film, two words a foot, and I learnt it in a very hard school, taught by two Fleet Street newspaper men, one called David [s.l. Cole 0:04:42], the oth[…]
[…] had the greatest good luck to hit upon Gaumont-British Instructional, who at that time, were making a great number of natural history and zoological films under the guidance of Julian Huxley, and Professor Hewer of Imperial College. Those were the days of Mary Field's Secrets of Life and Secrets of[…]
[…]in Gloucester Road in Bristol and bought myself my first camera which was an Exa 500 German Single Lens Reflex Camera and a few rolls of transparency film but the guy on the shop was very much an enthusiast and he did his own pictures, he showed me some wonderful shots obviously he’d taken and that […]
[…]nbsp; 1:16 And what production was he gauging at the time, or Bobbi Riesel 1:22 he was, he wasn't making a film at the time. He had just made journey to England about a year or two years before, two years, oh, it was about that time actually weren't recordi[…]
[…] The First of the Few (1942) before joining the Crown Film Unit, where she worked on designs for films such […]
[…]hrough my brother I went and got the jobRoy Fowler: How did your brother connect with Alfred JungeMaurice Carter: He was assistant to Alfred Junge on films like xxxRoy Fowler: Although trained as an architect he was in the film industryMaurice Carter: He was a draughtsman, and the need was for / dra[…]
[…]ebruary 1995.Graham Smart 0:41 Right, I'll just quickly read something from a book which actually is probably easier. Actually, this is a film we made for Imperial Tobacco. It was the first programme and it was 73 that one that was mediaeval that. Yes, soManny Yospa 1:01 any […]
[…] Transcript edited by Alan Masson 23/08/2019 with comments in [parenthesis] CR: How did your interest in film technology begin? What sparked that interest and how did it develop?AM: Yes. At the age of about 10 I was given a classic Kodak Box Brownie camer[…]
[…]certainly in the early part of my life, affected the way I thought about things and it was really good, having two cultures, particularly in terms of film. I always, always, loved French films more than English films, or British films. Much later on I was very fortunate in working with Truffaut, on […]
[…] Ipswich public school. But we were taken to the cinema but rarely our parents who both was religious I had an elder sister and a younger brother for films that they considered a suitable to see with cheddar kitten? in the jungle, things like that. Anything dramatic, romantic and so on was for[…]
