[…]ojectionist as such, because I would have said to know what the world was called projectionist in those days, but I want to be a chap that showed the films in the cinema. So when I was in front of this board to select a job and talking to set the other I didn't know anything about it, or more or les[…]
[…]l kids, you know, that kind of thing. It really wasn't a good thing. And quite honestly, the best thing that happened to me, I think, was joining the film industry. Next best thing was coming to Hampstead (laughter) which was very relaxed... About colour and religion. 03:57At school did you hav[…]
[…]ebruary 1995.Graham Smart  0:41  Right, I'll just quickly read something from a book which actually is probably easier. Actually, this is a film we made for Imperial Tobacco. It was the first programme and it was 73 that one that was mediaeval that. Yes, soManny Yospa  1:01  any […]
[…]eet, 145 Wardour Street, and his workshop was on the top and we used to meet on the top floor in the workshop. Underneath that floor was The Worker's Film Association, Alderman Joe Reeves, I don't know if you knew him?Charles Drazin: The name rings a bell, yes.Manny Yospa: He was actually the film d[…]
 This material is the copyright of the ACTT History Project, Daphne Anstey widow of Edgar, editor with the National Film Board of Canada under her maiden name, Lily, interviewers JohnLegard [JL] and Gloria Sachs [GS], recorded in her home, in Hampstead Garden Suburb, 3 May 1989. Recordist Alan […]
[…]55. In Shepherds Bush.Unknown Speaker  0:25  AndUnknown Speaker  0:27  from from the age of about 16, I got very interested in in films, particularly the spaghetti westerns or Sergio Leone spaghetti westerns and I used to go all over London watching those trends because they were[…]
[…]sed to act more-or-less as sort of employment help for us. I said, 'what's going?' And he said, "well the architectural world's a bit quiet but three film companies have rung up." So I thought, well let's give it a go.John Legard: So really the films started at a very early age then? While you were […]
[…]a rather than in front," she said, "all these technical things they don't interest me but they obviously do you!" [Laughs.] She said, "We're making a film called Fire Over England at Denham Studios. Would you like to come and watch it being made?" So I said, "Yes!" It was during the school holidays.[…]
The copyright of this interview lies with the \british Entertainment History Project Interview with Lusia KrakowskaLusia Krakowska, Film Editor Interviewer Roy FowlerRecorded on the 23rdJanuary 1998Side One:RF: The date is 23rdJanuary 1998 and we're recording Lusia Krakowska, that is L-U-S-I-A […]
[…] what was then called, television recording department which nowadays we call post-production. That encompassed videotape operations and telecine and film work and transmission and that sort of thing. So that’s the department I found myself in as much by luck as judgement and it’s where I stayed for[…]
