[…]Norman Swallow: When did you come to Britain and under what circumstancesRudi Cartier: I was the first person as a young director to direct the first film ever made by Sam Spiegel, he had no experience as a producer, so when it was made here, Sam Spiegel went to, he said if they take me and the two […]
[…]p;and Les move was put into independent television and I went across to feature films and I also took the old shot shorts and documentary branch or under my&nbs[…]
[…]d we had no pictures I'd rushed home. I didn't live that far away from Alexandre palace. And quickly made up models photograph them yesterday Fashion Film, even a non single lens reflex cameras, I had to sort out the parallax of it to get them so we actually lined up and everything. I did these abou[…]
[…] I just say a word about NATTKE? NATTKE was a union primarily for craft workers in the industry, yeah? GM: 18:26 Theatre, film and television, yeah, yeah, yeah. RL: 18:27 People of that kind, they were rooted in the theatre sector. GM: 18:[…]
[…]of recognisable memory and then went on with a touch of that. I mean, I was too young to actually regard Hope and Glory as a as a an autobiographical film, but I was seven at the end of the war. So it was very enjoyable, very enjoyable. Stephen Peet 4:06 So by the time the[…]
[…]I’ve got twins. A boy and a girl, Mathew and Rosalind. Mathew is a drama feature director and he is just about to start his first feature film which has just been financed which is going to be shot in Brazil and I am a sort of executive on that. You just sit in the armchair, you kn[…]
