Search Results for: Film Centre International

[…] animations as a boy by drawing directly onto pieces of film salvaged from nearby cinemas. He later relocated to Coventry […]

[…]as they come along, Stan and come along. And after they went to the Savoy, and I remember Houston after the programme, talking about Orson Welles and filmmaking, till the wee small hours in hospitality and it was quite fascinating.Alan Lawson  13:33  We were We were in that I was returned […]

Hugh Stewart ( Film Editor/Film Producer) 14/12/1910 - ? by admin — last modified Jul 27, 2008 02:44 PM BIOGRAPHY: […]

[…]fter the other, 'till I got this big shed.Rodney Giesler: How do you mean, you opened up?Larry Allen: Well I had projectors and I was making animated films back in them days, as a boy.Rodney Giesler: Yeah, but where did you get the money to buy the projectors?Larry Allen: Well actually the projector[…]

[…]father's thinking was you better go to Britain because that's where you'll learn the trade rather than stand South Africa which of course had no real film industry. Well Harry what was working there at the time.SPEAKER: M6He was doing the sequel to the film he had done about a lion family. So I came[…]

[…]where?Anthony Mendleson : Where?Linda Wood : Ah hmm.Anthony Mendleson : London.Linda Wood : London, yes. Did your family have any connection with the film industry or...?Anthony Mendleson : No not at all.Linda Wood : Not at all...?Anthony Mendleson : Ah hmm.Linda Wood : And, did you go to the cinema[…]

[…] London, yes. Did your family have any connection with the film industry or...? Anthony Mendleson : No not at all. […]

[…]nment History Project (formerly the ACTT History Project) and the right to publish some excerpts may not be allowed.CITATION: Women’s Work in British Film and Television, Daphne Shadwell, http://bufvc.ac.uk/bectu/oral-histories/bectu-oh [date accessed]By accessing this transcript, I confirm tha[…]

[…] clear that this area offers especially productive territory for feminist film history and production studies to explore, with their shared […]

[…]cording and transcript is vested in the BECTU History Project. Bryan Langley was interviewed by Arthur Graham on 18 November 1987.1. Improvising with film stockAG: We're on the different types of film stocks. What were their differences, and what were their special requirements as far as shooting wa[…]