Search Results for: Film Centre International

[…]nds a week. And for about two or three weeks, or a month, they would take this money off you and they'd teach you what they could as regards making a film up and joining the two reels together, and making joins. Because you didn't have the automatic joins in those days, everything had to be done wit[…]

Yvonne Littlewood DRAFT. Tape 1 Side AThis recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). ([…]

[…];  PW: I’m not sure how you can answer that question without conceit. It’s always an honour to be recognised for what you’ve done. From the filming point of view probably, although I’ve won a number of awards in Milan and New York and the American festivals, the one that I probably remembe[…]

[…]story Project - Interview No. 10[Copyright BECTU]Interview Date: 22 July 1987Interviewer: Wyn Ryder, Alan Lawson Interviewee: Reginald (Reggie) Beck, film editorSIDE 1, TAPE 1Wyn Ryder: We ought to start off with where you were born and what sort of schooling you had.Reggie Beck: I was bor[…]

[…]aylor: You said it was simpler in those days. So you had a good start in life.Bill Cotton Jr: In terms of the industry, yes. My brother went into the film industry, he was a pilot, a mosquito pilot during the war, and he caught TB, and when he was3rdcured of that he went to Shepperton and became a a[…]