Interview with Marion GriersonInterviewer: Margaret Thompson MT: This is Margaret Thompson interviewing Marion Grierson; documentary film director, editor reporter, literary editor and writer.these were the professions that she followed in the early years of documentary filmmaking. She later we[…]
[…]he next thing i i took pictures in those days, the first job I had to do, I'll always remember I worked. We worked out in one four King Water Street, film house Water Street, just up the road. And I had to go to Marble Arch, where the Duchess of Kent no the Duchess of Gloucester. I was going to open[…]
[…] My mum and dad weren’t tearful we couldn't wait to get away.6:17 NS: It's not only - it's not only today's television, is it? I mean, it’s the films of the time, Alan will remember this, they we're also a bit tearful. And they were shown during the war.6:27 DMW: Yes, but today’s documen[…]
[…]'ve got one award for for services to television over the years for the Royal Television Society. And I've got an award for special photography for a film called The Black Velvet gun from the beffta. Northeast. Wow.Unknown Speaker 1:05 What about honours?Unknown Speaker 1:07 […]
[…]History Project - Interview No. 101[Copyright BECTU]Transcription Date: Unknown - draft analytical transcription by Sarah Easen, British Universities Film and Video CouncilInterview Date: 1989-09-25Interviewer: Roy FowlerInterviewee: Norman FisherTape 1, Side 1Roy Fowler: Copyright of the following […]
[…] Unknown - draft analytical transcription by Sarah Easen, British Universities Film and Video Council Interview Date: 1989-09-25 Interviewer: Roy Fowler […]
[…]m room to room. And really, the whole thing clinched itself a mutual friend, David McCallum and he used to live in the homes with a brother who was a film editor, Douglas I've only didn't meet him very much. But he was the senior fire guard. Yes. And we live next door to the deputy Fire Guard who so[…]
[…]or 90 seconds. He has no important role and should be well left out. And in fact, usually is left out if you're doing it commercially. You they did a film 40 years ago, and they where they got Danny Kaye to do that, and now this person wants Paul McCartney. I couldn't do that, although that's the wa[…]
[…]ed throwing themselves on the floor and laughing they would say all the lines to get us out on time, you know, and I had a failsafe thing. I had some films five minute gun in the distance wearing the goon sheet. And one of the fishing has we all had these tweed fishing hats, or give give mine to the[…]
