[…]the industry. In fact the excellent book on Edinburgh Cinemas and a later DVD on the same subject brought back wonderful memories and remembrances of films viewed in all of the venues mentioned … and even of a couple of cinemas that even the author of those tomes had omitted!This passion had intensi[…]
[…]sp;Well although we didn’t call our first interview the first one, with David Francis, this is our second interview with archivists from the National Film and Television Archive in the UK.The copyright in this recording is vested in the British Entertainment History Project and the name of the inter[…]
[…]============================== SPEAKER: M1The copyright of this recording is vested in the back to history project. The subject is Bernie global film editor in features documentaries commercials and television. Interviewed by John Legend. The date is 14th of October 1995.SPEAKER: F3This is side[…]
[…]sp;The copyright of this recording is vested in the BECTU history project. The subject is Michael Clark, producer, director and editor of documentary films interviewed by john legard. The date is 22, October 1993. This is side one. And the file  number is 299.John Legard  0:37  Runnin[…]
[…]the result was that I spent from September 1939, till early 1946. Alan Lawson  2:40  And the artillery, you have any great interest in films or cinema?Unknown Speaker  2:45  school?Robert Angel  2:46  Yes, I always was interested from an early age in the theatre an[…]
[…]e bit about your early life. But before you started your professional career in film. Where we were born into your parents. Yes quite well I was born in Lo[…]
[…]anner: Let's say it was in the very early 20s and it was in Tilford, Surrey.Roy Fowler: You were in a family which had connections with the film or entertainment business.Peter Tanner: None, my father died when I was very young and I was the only child and my mother had to bring me up[…]
[…]certainly in the early part of my life, affected the way I thought about things and it was really good, having two cultures, particularly in terms of film. I always, always, loved French films more than English films, or British films. Much later on I was very fortunate in working with Truffaut, on […]
[…] post office once you were there.Roy Fowler  1:31  So your family,Dennis Kimbley  1:32  family had no connections at all with the film business. But I always wanted to get into the film industry. But then I didn't think I'd get I had no experience. Obviously I had no I didn't thi[…]
[…]chool, and having received my education there and then done quite a lot of photography, I then started on the first steps towards anything to do with films. In other words, I went to what was then known as boat court, the what was then the London College of photo engraving and lithography in Fleet S[…]
