[…] Transcript edited by Alan Masson 23/08/2019 with comments in [parenthesis] CR: How did your interest in film technology begin? What sparked that interest and how did it develop?AM: Yes. At the age of about 10 I was given a classic Kodak Box Brownie camer[…]
[…]p;Sorry, I interrupted you. So did you. Do you have any brothers or sisters? No. And what was your first inclinations of feeling you're interested in film?Speaker 1 8:31 Well, I was first interested in presenting films at home. When I was about nine or 10 I hadn't got any thought of actu[…]
[…]p;Sorry, I interrupted you. So did you. Do you have any brothers or sisters? No. And what was your first inclinations of feeling you're interested in film?Speaker 1 8:31 Well, I was first interested in presenting films at home. When I was about nine or 10 I hadn't got any thought of actu[…]
[…];Have you had an extensive career in the particularly in the sponsored documentary field, we probably will call it. I know in fact that you must have filmed in pretty well every continent in the world, including Antarctica. And apart from a lot of awards for your films, you also have four nomination[…]
[…]pril 39, in London town and the sound of bow bells. So not quite a Cockney, but can you tell me a bit about your family and how you came to be in the film industry?Right. My family consisted of a father who was in the engineering business, who would started making his own films and when he was young[…]
[…]your date of birth 4 July ...Vernon Sewell: 1903.Roy Fowler: Nineteen hundred and three right, OK. We're going to concentrate mostly on the film industry, but it would be interesting to know family background to some extent, where and when you entered this life, your parentage and such lik[…]
[…]Graeme Hobbs.SIDE ONEThis recording, is vested in the ACTT [Association of Cinematograph and Television Technicians] history project. Jack Gold, film and television director, interviewers, Norman Swallow and Alan Lawson, recorded on the 27th February, 1990, side 1. NS Going to kick off Ala[…]
[…] we’ve got to ask today. So, I wonder if you could just begin by giving an overview – if I can take you back slightly – in how your early interest in film and colour photography started. Where did that spark on interest come from?CF: I started out… my first work as such was for Kodak, and there was […]
[…] work with him on, I think his one -but -last film when you know, he was a pathetic invalid, and […]
[…]n at an earlyage, about 3 or 4, where I've been ever since for which I'm dulygrateful because if I'd been kept up there I would never have entered thefilm industry.AG: What kind of schooling did you receive?DB: I went to a little private school, a day school in the late 20s andearly 30s, from 7 to 1[…]
