The copyright of this interview lies with the \british Entertainment History Project Interview with Lusia KrakowskaLusia Krakowska, Film Editor Interviewer Roy FowlerRecorded on the 23rdJanuary 1998Side One:RF: The date is 23rdJanuary 1998 and we're recording Lusia Krakowska, that is L-U-S-I-A […]
[…].comSpeaker 1  0:17  The copyright of this recording is vested in the ACTT History Project, Charles Potter administrator, British Transport films,Unknown Speaker  0:30  Interviewer John legardUnknown Speaker  0:33  recorded on the sixth of June 1989Speaker 2  0:38 […]
[…]n at an earlyage, about 3 or 4, where I've been ever since for which I'm dulygrateful because if I'd been kept up there I would never have entered thefilm industry.AG: What kind of schooling did you receive?DB: I went to a little private school, a day school in the late 20s andearly 30s, from 7 to 1[…]
[…]ald grant. The interviewer is Mike dick, on cameras, John Luton. The interview number is eight to nine. The date is the 24th of April 2023. And we're filming at the cinema Museum in Kensington, London, which houses the most remarkable collection of cinema memorabilia collected over the last 70 years[…]
[…]onard Harris: I don't think I would have got it mind you, because I hated school and I didn't learn much. But that's really it. I wanted to be in the film business you see, I was passionately fond of films all the time, possibly it was a bit of an escapist thing at first, I expect, because of gettin[…]
[…]r - this was as you’ll probably know this was Jonathan Routh was going out and - er- involving people in japes and wheezes and - and  - er - you filmed it from a hidden camera which was supplied to us by the Samuelson family - and David Samuelson CBE and people like that were all locked in cupb[…]
[…]use them as such as cameras, I don't think we did really the one thing I do remember is trying to convert. And then he had lots of scraps of rolls of film of his own stuff from pathways. And I remember trying to convert or we did convert this better camera into a projector. And it worked quite well.[…]
[…]or I just in the I got the impression I was a little nap processing. It was a release print 916 mail. It rejoiced and then in the name of substantive film finish limited substandard definition. It is now film Magic and much more respectable but it was at the top end of Dean Street under OK. I had an[…]
[…]55. In Shepherds Bush.Unknown Speaker  0:25  AndUnknown Speaker  0:27  from from the age of about 16, I got very interested in in films, particularly the spaghetti westerns or Sergio Leone spaghetti westerns and I used to go all over London watching those trends because they were[…]
[…]as they come along, Stan and come along. And after they went to the Savoy, and I remember Houston after the programme, talking about Orson Welles and filmmaking, till the wee small hours in hospitality and it was quite fascinating.Alan Lawson  13:33  We were We were in that I was returned […]
