[…], really. It was a grammar school education. Unfortunately, I dipped out of the educational system at the age of 15 with the opportunity of joining a film laboratory. I was interested in photography. I was interested in photography at school and the film laboratory seemed to be a very good way in wh[…]
[…]allowed.The copyright of this recording is vested in the ACTT history project. Sara de Normanville, professionally known as Sara Erulkar, documentary film director. Interviewer John Taylor. Recorded on the twenty-eighth of February 1991, with interjections by her husband, Peter (PdN). Side one.[00:3[…]
[…] had the greatest good luck to hit upon Gaumont-British Instructional, who at that time, were making a great number of natural history and zoological films under the guidance of Julian Huxley, and Professor Hewer of Imperial College. Those were the days of Mary Field's Secrets of Life and Secrets of[…]
[…]terview with Barbara Emary, in her home, 5th July 1988Interviewer Bob AllenSIDE 1, TAPE 1BA : Perhaps you could tell us when you first ca me into the film industry, how you got interested in filmmaking, what lead you - into it.BE: The most interesting thing is that as a teenager I was all against fi[…]
[…]e in and that attitude of having a Union level of manning was kind of core to how ITV was at the time and, later on in my career when I started doing film work, film news, for instance, was done with a three-man crew - lighting, sound and camera operator - unless it exceeded two minutes and the two […]
[…]mypart but I honestly didn't. It wasn't an issue at all.SRYou said that Robert Bolt was a big influence…was this when you first started thinking aboutfilm or journalism?What was your first idea for a career?JBAh, what an interesting idea! What influence did he have? I think he loved noble characters[…]
[…] a bit of shorthand typing. Away. Can you remember when you started in the film industry. Well yes I can because some it was an accident really in that.&nb[…]
[…]or 90 seconds. He has no important role and should be well left out. And in fact, usually is left out if you're doing it commercially. You they did a film 40 years ago, and they where they got Danny Kaye to do that, and now this person wants Paul McCartney. I couldn't do that, although that's the wa[…]
[…]cording and transcript is vested in the BECTU History Project. Bryan Langley was interviewed by Arthur Graham on 18 November 1987.1. Improvising with film stockAG: We're on the different types of film stocks. What were their differences, and what were their special requirements as far as shooting wa[…]
[…]e my grandfather was very interested in photography and he also at one time, before I came around, had in fact a movie camera and did a lot of family filming which, much to my sorrow, he gave away the film to a distant cousin of mine andI’ve never seen it. But he in fact did build his own little hom[…]
