[…]nment History Project (formerly the ACTT History Project) and the right to publish some excerpts may not be allowed.CITATION: Women’s Work in British Film and Television, Daphne Shadwell, http://bufvc.ac.uk/bectu/oral-histories/bectu-oh [date accessed]By accessing this transcript, I confirm tha[…]
[…]terview with Barbara Emary, in her home, 5th July 1988Interviewer Bob AllenSIDE 1, TAPE 1BA : Perhaps you could tell us when you first ca me into the film industry, how you got interested in filmmaking, what lead you - into it.BE: The most interesting thing is that as a teenager I was all against fi[…]
[…] In 1910 he went to workas an apprentice at a film studio in Walthamstowe, a glass studio, I believe it […]
Tilly Day (continuity) 1903-1994by admin — last modified Jul 28, 2008 04:32 PMBIOGRAPHY: Tilly Day worked on over 300 British films between the 1920s and 1970s, most particularly as ‘continuity girl’. Her career began at Walthamstow Studios in the 1917 and she received her first credit in […]
[…]Did you receive any specialised training - technical college, poly?Tubby Englander: No, no way, no.Arthur Graham: What made you decide to go into the film industry?Tubby Englander: The fact that the year was 1931 and I had to get a job. I'd just left school and I wasn't going to go back to school ag[…]
[…] Auxiliary Territorial Service during WWII and subsequently returned to the film industry, working for Rank and Hammer studios among others. […]
[…]ddie Dryhurst: Yeah.Roy Fowler: Your family background, as I say, is documented, so why don't we start out with your first initial urgings to go into film and what films were like at that particular time, what made you feel that way about them?Eddie Dryhurst: Well we're going back to the First World[…]
[…] animations as a boy by drawing directly onto pieces of film salvaged from nearby cinemas. He later relocated to Coventry […]
[…] Drama Departments of BBC, ABC and also controller of Canadian Film Board. Intervi ewer Norman Swallow (NS ) with Alan […]
