[…]cularly speak with a Scottish accent, Linda Wood 0:54like further. Did you have any specialised training before you started working in the film industry? Donald Wilson 1:05I went to the Glasgow School of Art. And that's the only specialised training I have. Because I had I left[…]
[…] people like, the times that I went which was in the 30s were people like Dave willis who was my personal favourite, and Will Fyffe who had gone into films of course by that time, and Harry Gordon, the Laird of Inversnecky, there was Jack Radcliffe, I can't remember all of them. The ones I remember […]
[…];out     of the airforce, a much decorated airman, and I was  the  join and we'd sit there and join film and it bored me to death. I also did a little bit in the sound department, that also bored me to death, a[…]
[…]a job, and then in the afternoon, if I got into the Gaumont State at Kilburn before two o'clock I could get in for sixpence. And we had a big feature film, a B film, the news, an hour's variety programme, and an organ recital. And it was a good place for an out of work actor to sit down and rest him[…]
[…] wanted something that gave me freedom that I could find as an alternative to fashion art,which was my then passion. And I didn’t know anything about films at all, but I sort offelt that documentary films seemed to offer me something that interested me. But I didn’tknow anybody in films and I had no[…]
[…]amlet in in Suffolk called Somerton, and That's basically where I've had my early years, I went to the local schools and where I first had a piece of film in my hand, piece of 9.5 film of Alan bes army, and with a hand cranked 9.5 projector. I was there for the rest, rest of my younger life, and eve[…]
[…]rs and things like that. Have you had any [inaudible]?Well, I’m a Fellow of the Royal College of Art, and, I’ve got a BAFTA.For?A Channel 4 film Cutting Edge: Casualties.Ah, OK. And your parents did what? It’s sort of relevant.[laughs] My father was in the Army, and, Medical Corp[…]
[…]ated transcription service, supplied by John Harwood and edited by David Sharp in 2019. The numbers in square brackets are timecodes. [Filming began outside]Interviewer: Jimmie King. David Woodward on camera.[TAPE 1] Jimmie King [JK]: If you’d like to introduce yourself Bob.[…]
