[…] clear that this area offers especially productive territory for feminist film history and production studies to explore, with their shared […]
[…];out of the airforce, a much decorated airman, and I was the join and we'd sit there and join film and it bored me to death. I also did a little bit in the sound department, that also bored me to death, a[…]
[…]p;Well, I I learned, I did learn German. Can never master the grammar, no, very well, no.Unknown Speaker 2:31 And then you started in the film industry when,Unknown Speaker 2:37 as in 1930 I started at Gainsborough studios in Islam what made you chuck up first and go there? O[…]
[…] about 18 weeks, a very long schedule, quite a long film. So by the end of the schedule when we […]
[…]dapest which was where all the journalists and actors and writers met and they owner of that cafe got a projector and put up a sheet and he had these film shows. And my father took Alex to see it and it seems, according to my father, that Alex said 'that is the thing for me' and that is when he got […]
[…] Crescent, which was 7 Notting Hill, almost exactly where the film was, the Rhys Ivans, is it Rhys Ivans?, Welsh […]
[…]r - this was as you’ll probably know this was Jonathan Routh was going out and - er- involving people in japes and wheezes and - and - er - you filmed it from a hidden camera which was supplied to us by the Samuelson family - and David Samuelson CBE and people like that were all locked in cupb[…]
[…]TU]Transcription Date: 2003-03-18Interview Date: 1989-11-23Interviewers: John LegardInterviewee: Hugh StewartTape 1, Side 1John Legard: Hugh Stewart, film producer, recorded on the 23rd of November 1989, in his home. Interviewer John Legard. Side one. Hugh, when and where were you born?Hugh Stewart:[…]
[…] fee t. You have got to get special permission to film closer and at one time we were filming this […]