Search Results for: Film on Four.

[…] END OSSIE MORRIS OK well when I photograph my first film that was a struggle to survive you just try […]

[…] E ric Cross (Lighting Camer aman – DOP) Career in film industry: 1926 to (circa) 1962 Credits include: Christmas Under […]

[…]he labs, I think it was Maxfield, I think, but we don't remember, definitely, got together with Jack Kiley one day, and we said, how fast do they run films now? And he said, Well, they taken  16 frames a second, and they reproduce them in the first run houses at about 80 or 90 feet a minut[…]

[…] Mallett, who has a long and distinguished connection with our film industry. I trust this isn't too un-gentlemanly to ask […]

[…] meant going from one projector to another on the same film because they were on 20 minute spools and a […]

[…] Billy Williams: Perhaps I should, why not. It was a film called Stellawith Bette Midler and she is under contract […]

[…] London, just around the corner from what became the Gainsborough Film Studios (Islington) in Poole Street. He first visited the […]

[…] and Leo Genn as well but that was my first film. After that. When I came Captain Boycott which was […]

[…]angeover. And I remember waiting in great anticipation to be allowed to take a changeover which meant going from one projector to another on the same film because they were on 20 minute spools and a feature film would consist of up to five spools of film. However because the progress was so slow I l[…]