[…]nbsp; 1:16 And what production was he gauging at the time, or Bobbi Riesel 1:22 he was, he wasn't making a film at the time. He had just made journey to England about a year or two years before, two years, oh, it was about that time actually weren't recordi[…]
Name of interviewee Susan Crockford DRAFT Tape 1 Side AThis transcription was provided in 2015 by the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, Leeds University) and Dr Vicky Ball (Co- Investigator, De Montfort U[…]
[…]orest of Dean, in Gloucestershire. And my father was a mining engineer [pause] and 1:01 there was a colliery nearby my mother had been in early films. In fact, she played parts in early films and her name was Magarey Lorring, for those films.Norman Swallow: Is that Loring?Julia Cave: Lor[…]
[…] 27, 2008 02:38 PM BIOGRAPHY: Gordon McCallum entered the British film industry in 1935 as a loading boy for Herbert […]
[…]sed to act more-or-less as sort of employment help for us. I said, 'what's going?' And he said, "well the architectural world's a bit quiet but three film companies have rung up." So I thought, well let's give it a go.John Legard: So really the films started at a very early age then? While you were […]
[…]hrough my brother I went and got the jobRoy Fowler: How did your brother connect with Alfred JungeMaurice Carter: He was assistant to Alfred Junge on films like xxxRoy Fowler: Although trained as an architect he was in the film industryMaurice Carter: He was a draughtsman, and the need was for / dra[…]
[…] a day, if you were lucky.Taylor/Peet: Was your early life a great influence on the whole of the rest of your life or influencesthat brought you into Film and Television that were going ahead, comeDenis Forman: I think probably by reaction it did. I mean it was a very holy atmosphere which Ididn't f[…]
[…] rest of your life or influences that brought you into Film and Television that were going ahead, come Denis Forman: […]
[…] had the greatest good luck to hit upon Gaumont-British Instructional, who at that time, were making a great number of natural history and zoological films under the guidance of Julian Huxley, and Professor Hewer of Imperial College. Those were the days of Mary Field's Secrets of Life and Secrets of[…]
[…]g a little radio and electrical shop, as a very young man...which he didn't do for long, he decided to give that up and move on. And he came into the film industry, and it was his suggestion, when I was just sixteen that he wanted to go into the film industry, and did, and I thought, "What a damn go[…]
