Francis Searle

[…] business for aSpeaker 1  46:41  long time. By that time, Roy, you see, I had, I, I left at the end of 46 or beginning of 47 to join Sidney Fox. So I didn't, but yes, the other two names was Peter Brook, and we're going toRoy Fowler  47:03  have to stop getting out at.Roy Fowler […]

Geoff Hermges

[…]on in studios, and watching studio lighting and all that sort of thing. And at that time, I found that I couldn't get directly in. I went out also to Fox Studios at Wembley, when, again, he was directing out there, again, making things like the Arsenal murder mystery. I was one of them. I don't reme[…]

Winston (Wyn) Ryder

[…]now how I found out there was something at Denham, but they mistook me for another Ryder, Sid Ryder who is still around I think, something to do with Fox?LH: Dunno.WR: Yeah, on the projection side. And I worked there with CC Stevens. I couldn’t believe it, because at Beaconsfield we often did forty […]

Richard (Dickie) Best

[…]ard and very nice experience. The Guinea Pig wasalright. Then we come to Britannia Mews. Britannia Mews was an Americanfilm made by Twentieth Century Fox, directed by Jean Negulesco. And thiswas a very hair raising experience in several ways, psychologically andphysically. It was my first experience[…]

Dallas Bower

[…]h MCA who were my agent by a puppeteer called Lou Bunin who had set up a unit in France to make Alice and they wanted a British director and so Robin Fox Lance Evans said, 'Well, indeed we think we have the man for you' and I went to Paris where I found a unit in toto waiting to get this production […]

Eric Cross

[…] that I think. Then, of course,...Arthur Graham: Where did you go to from there?Eric Cross: From there, I went to Wembley.Arthur Graham: That was the Fox Studio?Eric Cross: No, it was ASFI, Associated Sound Film Industries, which was largely had a lot of Dutch connections I think, with a chap called[…]
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