[…] Thorold across the road, we were meeting in The Intrepid Fox, I think - and he went across the road […]
[…]went incredibly well. We shot in San Francisco for exteriors that were supposed to take place there. And then interiors in the studio at 20th Century Fox. I'll never forget driving in my car there. My name it was written in the parking lot. I've arrived ! I've arrived! - in West Hollywood[…]
[…] and the King of Siam, a book that had been written quite some years before by a woman who had actually lived through it and then made into a film by Fox with Rex Harrison and R&H had this idea of doing it and Gertrude Lawrence was going to be in it. And he said “Should I take it?” and I said “W[…]
[…]ich was in. The Gene Hackman voice which I had a picture of the detectives thing French French Connections convention. I saw that at a preview run at foxes studio foxes cinema. And. That was the first time I'd heard it and it was a throwaway line is hangman just threw it away. It was always chasing […]
[…] very small. And then what happened was I had been working for some time on a screenplay with Steve Zellian of Falcon and The Snowman. And we were at Fox and maybe as a result of Honky Tonk Freeway and everything it got put into turnaround and I could see that we weren't going to make it and I came […]
[…]ystem and the sound quality was good.Roy Fowler: Well let's talk about the newsreels as you remember them from then on. How long a time were you with Fox Movietone?Norman Fisher: All in all from 1936 to 1978. The war was in the middle but I was a newsreel war correspondent so I was still with Moviet[…]
[…] great row with the MOD and thePress would probably be critical of television being so outrageous and they forbade us to transmit it.So I called Paul Fox who in those days was in charge of Panorama and said "Paul would you showthis film?" and he said "I can't show it all" I said would you show some?[…]
[…]now how I found out there was something at Denham, but they mistook me for another Ryder, Sid Ryder who is still around I think, something to do with Fox?LH: Dunno.WR: Yeah, on the projection side. And I worked there with CC Stevens. I couldn’t believe it, because at Beaconsfield we often did forty […]