[…]film - um -Sidney Cole: So we're talking in the late twenties?Bernard Vorhaus: That's right, that's right. Then um - I also have credit on a film for Fox and I cannot remember the title at the moment. Anyway I was anxious, as I said to you, to direct rather than write, and so with Jessie Burns with […]
[…]d when we started the programme 54 Sports View… I: Ah yes, that’s right. My next point [laughs] yes. P: …Paul Fox, he was moonlighting on the sports columns of the People and also writing the commentary for Television Newsreel and he came to me and said he had[…]
[…]mber of the hunt saboteurs when I was at University; no when I was at Thames Polytechnic. I was attracted to that. I’d gone out and tried to sabotage fox hunts and so yes, I was keen on that. Erm, and I knew people, in that field, so it was perfect for getting money from animal charities. To make th[…]
[…]t was 1958 960 IMAX centre baseball, which turned out to be an enormous worldwide success. And that was very lucky early in your career. 20th Century Fox finance that I kept on trying to get my films made by British companies, but it's never succeeded in practice. All my films are financed by Americ[…]
[…] He was a charming and nice to the films of all Negroes and thousands in the metropolis. They helped us expand it we moved to Wembley studios. Still. Fox. And had. A Cutting Room a couple of offices and then moved to great courtroom straight at the top of enforcing street. And by that time we were t[…]
[…]sp;along the roads here just passed around house. So these past rocks just past Fox there was steps between. Yeah yeah yeah. Reed reeds was a good old lad. […]
[…]act that erm to mention Ben Lyon with his radio show, his Life with the Ly ons. Ben Lyon came to Merton Park Studios as a base for 20th Century Fox to do screen tests, and they used Merton Park to do the screen tests for the artists and I ran the screen test before sending them off to Hollywoo[…]
[…] to that. I’d gone out and tried t o sabotage fox hunts and so yes, I was keen on that. […]
[…] that time, and we were going four-track, that was the Fox Cinemascope format - was the cost of striping and […]
