[…]'ve nearly finished out. I left Spiegel at in 1963 and I was asked to become the Special Assistant to Elmo Williams, who was the head of 20th Century Fox in London. So I worked with him in big offices in Soho square for three years, when we made pictures like those magnificent men in their flying ma[…]
[…]nbsp;                   In the sense of, you know, the Fox cat. Because the Fox cat is Twentieth Century Fox, they had lots of footage of a cat and whenever they got into difficulty with the cutting,they c[…]
[…]very much regret his passing. After that I did another another picture with Charlie Crichton the thirds, the third secret, which was for 20th Century Fox and that was in black, and that was in black and white show. And I think that was the last of the black and white films I did anyway. So there's o[…]
[…]ne was OldBones Of The River, and the other one was he was playing the part of a fireman, Where'sThat FireRoy Fowler: That was when Twentieth-Century Fox was distributing the IslingtonproductMaurice Carter: And we went to Shepperton for that, it was a petrol station to catch upon fire. The idea was […]
[…]r, we managed to get a contact to Sir Gordon Craig, I think it was then, who was Managing Director or General Manager of Movietone, and a director in Fox -20th Century Fox - films, and eventually I think we got to see Tommy Scales, who gave me the job, who was editor of Movietone, through Sir Gordon[…]
[…]ng back to the English ones again, we come to Arthur Crabtree, he started lighting then and I remember he started out then and they loaned him out to Fox at Wembley and he went down there and lit a couple of pictures and I had to go down, not to assist him, but to take something down for him I remem[…]
[…]p;time I moved to Panorama. And if you say why did I do that. I think Paul Fox asked me, I should think, and I was a little bored with the docand gen […]
