Edward Aneurin Williams

[…]and beauty in the theatre and doing the jolly things that weren't acting at work. So the war of a node that bargain and I had been very interested in films, which had been really one of the things although music was the principal here, and I'd also been very interested in films, I can remember produ[…]

Peter de Normanville

[…]en it started but in 1932.Peter de Normanville  24:35  Yes, it's sort of about the earliest birth of the documentary movement. In fact, the GPO was definitely before Shell. But I think Shell was before the Crown Film unit to be formed.Sarah Erulkar  24:52  But Peter was telling t[…]

Jonathan Balcon

[…]talk to. "The Overlanders" was a fine production. I gather, he was a very difficult director to work for but he'd had a distinguished career with the GPO Film Unit and subsequently the Crown Film Unit, I think. Roy Fowler  37:59  Yes. Yeah, I'm not sure, I see your point. I'[…]

Bill Mason

[…]Bangkok. He was fairly nutty then, he's now completely, we got back and he thought it would upset people to have a slate on the front. So we had a pingpong bat with a light which flashed and buzzed which was held at the front. It often didn't work. So not only did we not have any slates, we hadn't e[…]

Gordon Hales

[…]um running on a 16 millimetre Kodascope projector that I owned was probably a present from my father. The first film was Warning Shadows and an early GPO documentary The Coming of the Dial. The society develops slowly and eventually the watch committee permitted performances in cinemas on a Sunday o[…]

Charles Potter

[…]t time, I was involved with films. I was laying on facilities for night mail, which was shot on the LMS,Unknown Speaker  15:14  shot by the GPO Film Unit.Speaker 3  15:15  Yes, right, that's quite right. Brenner was the PR man, he wasn't the film, and grison was the chap, because[…]

Harry Miller

[…]s did some work and things at the BBC didn’t he before that?ROY FOWLER: That was later.  He came from Marconi.HARRY MILLER: Atkins came from the GPO, and he built the telephone exchange at the studios at the time.  John Reynders who was the musical director at the time he used to be the co[…]

Peggy Gick

[…] left I think to go to [what was then] the GPO Film Unit. Mac and I stayed on until they'd finished, and […]

Peggy Gick

[…]e was on it too.John Legard: Oh right, yes, hmm.Peggy Gick: And we worked on that for...Edward left it...he left I think to go to [what was then] the GPO Film Unit. Mac and I stayed on until they'd finished, and then I started a job...John Legard: You say 'Mac'...this is [Scott MacGregor]?Peggy Gick[…]

Winston (Wyn) Ryder

[…]ld prepare”, and he was very worried about HAL, the voice of the computer, and there was a very good boffin there who he said why don't you go to the GPO, they had some sort of scrambling device which they used for testing transatlantic cables, distorting the voice, see if they’ll treat it.[40.00min[…]
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