[…] Now you're back again with Mickey Powell, but shooting at Gainsborough on "Phantom Light". What was Gainsborough like to work […]
[…] Seventh Veil (1945) and later became the scenario editor at Gainsborough Studios. She directed her first feature film, The Happy […]
[…] Hoxton, London, just around the corner from what became the Gainsborough Film Studios (Islington) in Poole Street. He first visited […]
[…] Gaumont-British. Arnold Schwartzman : That wasn't the... What was the Gainsborough studios? Charles Bennett : Gainsborough was part of Gaumont-British. […]
[…] poor chap, and there was Chan Balcon, who was representing Gainsborough, the film was Balaclava and was being made for […]
[…] to where, oh I think it was the same at Gainsborough, the stages were on top of each other. So […]
[…] yes. That was really...Will Hay did a film subsequently for Gainsborough called Where's that Fire? And I'm sure that Frank […]
[…] 14. Working his way through various departments at Gaumont and Gainsborough, he ended at in the camera department G-B Instructional […]
[…] control centre, which was in Shoreditch and quite near the Gainsborough studio and one of his fellow controllers where they […]
[…] Kemp-Welch: Um, this one... Roy Fowler: It's a film in Gainsborough called All In. John P Hamilton That would be […]