Search Results for: Gainsborough Studios

[…]s an advertisement up and it said Kent Crosby brushes and I thought Kent, Jean Kent, yes that’s a short name, I’ll have that.I: You’ve leapt into the Gainsborough days; can we go back to more or less to the beginning? You’d been a dancer for some time?JK:  Oh yes I was at the Palladium for some[…]

[…]k home alone in the blackouts with a total stranger, but my friend met a Polish gentleman that worked in the Polish film industry who knew Kleeman at Gainsborough Studios, who was the studio manager. So cutting a long story short, even before I got demobbed, I got an introduction to Gainsborough Stu[…]

[…]sp;   But another thing about Norman I remember, Norman wanted to take the studios at Lime Grove, which, in those days, I think belonged to Gainsborough or God or somebody.  And why I was – I don’t quite know, but obviously OB’s was sort of considered fairly important in television, w[…]

[…]Samuelson: And - I think then that that's interesting, that all those years ago was it the general rule that Ealing did not have people on staff like Gainsborough at Lime Grove had people on staff and Pinewood had people on staff.Erica Masters: I think that they had production managers on staff, I m[…]

[…]le who directed some films in Germany...this was the time when Gaumont British and UFA were getting together. And we were, at this time, of course at Gainsborough studios in Poole Street. And Wilhelm Teile had made a film called Marry Me with Renata Muller and I think Ian Hunter or somebody. And any[…]

[…] together. And we were, at this time, of course at Gainsborough studios in Poole Street. And Wilhelm Teile had made a […]