[…] mean I will say I went on one location for Gainsborough pictures and as soon as the producer - it […]
[…] (1944) and Man from Morocco (1945). He moved to the Gainsborough studios at Islington under Betty Box, working on films such […]
[…] yes. That was really...Will Hay did a film subsequently for Gainsborough called Where's that Fire? And I'm sure that Frank […]
[…] first job in the business wasn't it? Fred Tomlin: At Gainsborough studios yes. And Anthony Asquith was directing the film, and […]
[…] the industry in the early 1940s as studio accountant for Gainsborough films at Shepherd’s Bush. He claims to have introduc […]
[…] to where, oh I think it was the same at Gainsborough, the stages were on top of each other. So […]
[…] studio. Sidney Cole: Yeah must have been. What was that, Gainsborough? Tilly Day: No, no, Pinewood! Sidney Cole: Oh the […]
[…] poor chap, and there was Chan Balcon, who was representing Gainsborough, the film was Balaclava and was being made for […]
[…] I always remember being so excited because it had been Gainsborough Studios and all that and, but I could never find […]
[…] to be made at Islington, I think it was - Gainsborough anyway. And so they asked me if I'd do […]