[…]pt writer called Bettison, I always remember him, very gentle and he was was known as Betty poor chap, and there was Chan Balcon, who wasrepresenting Gainsborough, the film was Balaclava and was being made for Gainsborough, and also Samuels, P.C. Samuels, also from Gainsborough, and they were the bu[…]
[…]e went, I don't know if you've ever been to Lime Grove Studios, I think it was the only studio I've ever been to where, oh I think it was the same at Gainsborough, the stages were on top of each other. So when you went up in the lift the doors opened and you looked right into a set, it was fabulous,[…]
[…] poor chap, and there was Chan Balcon, who was representing Gainsborough, the film was Balaclava and was being made for […]
[…]OT' stands for?Joan Kemp-Welch: I don't know.Roy Fowler: No? Right, OK.Joan Kemp-Welch: Um, this one...Roy Fowler: It's a film in Gainsborough called All In.John P Hamilton That would be Lime Grove then, would it?Roy Fowler: No, no. That would have been Poole Street, Is[…]
[…] matter of fact, to tell the truth... Rodney Giesler: Where Gainsborough used to be? Larry Allen: That's right! Opposite the […]
[…] Kemp-Welch: Um, this one... Roy Fowler: It's a film in Gainsborough called All In. John P Hamilton That would be […]
[…]ollect that Alan. No I don't know where that's come from, there may have been one or two who had been. I think, I think, I think there was someone at Gainsborough, which of course was after BIP whose name I can't recollect. It may be may have been Adam, I'm not sure maybe been Adams I'm not absolute[…]
[…] control centre, which was in Shoreditch and quite near the Gainsborough studio and one of his fellow controllers where they […]
[…]know, the main one...Rodney Giesler: Shepherd's Bush?Larry Allen: Ah, Shepherd's Bush. As a matter of fact, to tell the truth...Rodney Giesler: Where Gainsborough used to be?Larry Allen: That's right! Opposite the college isn't it? It's opposite the college.Rodney Giesler: That's right.Larry Allen: […]
[…]her oddly enough had known during the war, he worked in Ambulances during the Blitz in the control centre, which was in Shoreditch and quite near the Gainsborough studio and one of his fellow controllers where they used to sit night after night was a really nice man was an art director at Gainsborou[…]
