[…]Muriel Box : That was Betty.Sidney Cole : Oh he's got you mixed up.Muriel Box : I had nothing to do with that, that was Betty's film. When we went to Gainsborough, they wanted someone to do the work at Gainsborough you see, so she was sent to see after that with Peter Rogers. He'd done some religiou[…]
[…]ing The Rat or The Triumph of the Rat or something, and they sent their negative to me to process.Fowler/Lawson: That was at Gainsborough, wasn’t it?Bill Girdlestone: That was at Islington,Fowler/Lawson: so that was when you first kind of came across him.Bill Girdl[…]
[…] their negative to me to process. Fowler/Lawson: That was at Gainsborough, wasn’t it? Bill Girdlestone: That was at Islington, Fowler/Lawson: […]
[…]uite good to actually see her and then go away and do the painting. And they wanted the painting done Goya-like which I did. I did the first one like Gainsborough and it wasn’t right. I did all the lace and everything like that. You know, I had to do a mock. Can you do this? Yes, I can do this. So g[…]
[…] Poli film industry. Who knew. And his name Kleenman at Gainsborough Studios. Who was the production manager. The studio manager. And […]
[…]I was always in Lime Grove and I noticed that there was activity at the studios which had been closed for some years before the war. I found out that Gainsborough who were part of the game on British setup that were based on his LinkedIn. There'd been a bomb at the old his his LinkedIn studios and t[…]
[…]of an American director called T. Hayes Hunter. He turned out to be a very nice man but he was very severe on me to begin with. Eventually Balcon and Gainsborough Pictures, let me think, he thought I had some sort of promise but he didn't know what so he put me through various departments, the editi[…]
[…] 14. Working his way through various departments at Gaumont and Gainsborough, he ended at in the camera department G-B Instructional […]
