[…]d be in Now get out. Can't get rid of him, take him out and then march you out and throw you outside. Well, what you do is you go along into the next gateway and pay again and go in. CanRoy Fowler 12:33 you remember any specific stories of those circumstances when people got stories desp[…]
[…] no means a fool ever but I was a little bit naive about this, was the number of people who I thought were my friends who were simply using me as the gateway to Ealing Studios, so they thought, or they almost said, 'How are you, how's your father?' you know almost like that. Not that he did casting […]
[…]o be realistic we’ve got to put the transcripts on the Web and we’ve got to make them available on the Web in some sense or other. Now they’ll need a gateway of some kind there. I’m not, I don’t know, I don’t have a clear notion of how that gateway would work, whether there would be a password, whet[…]
[…] will deserve to succeed. And this put the idea into my head that I could earn my living as an actor. And that was the little, little, little, little gateway of escape into the creative world. I hadn't seen a live actor in my life, I'd never seen a stage play. But I was allowed to go to the cinema. […]
[…] zenith. And, as I say, Bill Brown was the moving spirit behind all of that. I: So, STV were in Glasgow and eventually in Edinburgh and then the Gateway in Edinburgh was closed. Any particular background to that? R: Yes, the Gateway was really where I did my first TV and I knew the theatre[…]
[…]they went on with. And we were still, at that point, we started, of course, making it in Edinburgh, in the Edinburgh Studios. It made good use of the Gateway Studios in Edinburgh but eventually, after the first two or three years the network wanted a hundred and four episodes a year and we couldn't […]
