[…]ollowing film, The Ghost Camera. I had seen some unusual cutting on a newsreel, was it either British Movietone or um...Sidney Cole: Yes - no, he was Gaumont British.Bernard Vorhaus: Gaumont British that's right. And er - I wanted to find out who was doing this. And it didn't worry me about giving a[…]
[…]hink Frank may have been making his religious films, but he couldn't. He could sell his religious films and that's why he eventually bought Odeon and Gaumont because that was the only way he could get his religious films shown. But rank wasn't on the scene not in not as early as it's not in 40, as I[…]
[…]ouses which had been which were a rabbit warren communicating with the tower. There was a small tower block there which had been used and occupied by Gaumont British in the ‘30s in fact a cousin of mine had been a sound recordist at Gaumont British there in the ‘30s so I'd heard of the place and my […]
[…]er Art Directors That didn't do me very much good though. The Art Directors were very few. There was the most important one was Alfred Yunner over at Gaumont and there again, remembering my friend Klaus Richter, went over to meet him, and he was very pleased to see me and talked about Klaus and thin[…]
[…] sometimes an interlude depending on the length of the film. Eventually when they turfed me out after a long time, to go around to all their cinemas, Gaumont British. And then I had the chance to play these big jobs that came up, I went all over London, I went up to the North, the big cinemas there,[…]
