[…] system which meant that newsreels had to be shared between Gaumont and Odeon cinemas, he discusses the fraught relationship between […]
[…] newsreels possible. And when other newsreels started up such as Gaumont, Paramount, Pathe, they had much more clumsy equipment. Pathe […]
[…] entered the film industry as a page boy at the Gaumont-British Studios at Lime Grove (Shepherd’s Bush) at the age […]
[…] at a later period when I was an actor, the Gaumont-British up in Kilburn - because I lived in Golders […]
[…] and many others. But of course he went off to Gaumont's and started directing on his own. But I think […]
[…] he entered the film industry in the early 1930s at Gaumont-British under the apprenticeship scheme run by Ian Dalrymple. He […]
[…] of Army service, Bill went into the dark-room at the Gaumont-British film lab in Shepherd’s Bush. His job was at […]
[…]ependents and the circuits but we had a special circuits department who dealt with them but even at that stage you had the Odeon circuit, you had the Gaumont circuit, both of which were owned by the Rank Organisation, and of course the ABC circuit. So those were your main three circuits. There were […]