Bernard Vorhaus

[…]ollowing film, The Ghost Camera. I had seen some unusual cutting on a newsreel, was it either British Movietone or um...Sidney Cole: Yes - no, he was Gaumont British.Bernard Vorhaus: Gaumont British that's right. And er - I wanted to find out who was doing this. And it didn't worry me about giving a[…]

Dallas Bower

[…] 7:38  Now Oswell Blakeston, Harry Hasslacher in fact was his real name, he was a, he was the camera department of the of the original Gaumont set-up at Lime Grove. And he became first editor of "Close Up" and he was called Oswell because he'd invented the name. And he he told me[…]

Norman Fisher

[…]s the De Forest patent, the AEO-light, which Movietone had acquired and it made sound newsreels possible. And when other newsreels started up such as Gaumont, Paramount, Pathe, they had much more clumsy equipment. Pathe had Visatone recording on a separate recorder instead of in the camera. The reco[…]

Peter Sargent

[…]e, and food. It never struck me that it was going to lead to a life, and as I worked with some of the finest lighting cameramen in the world, because Gaumonts had German, French, Japanese, all nationalities working as lighting cameramen.DB. Did you know Freddie Young?PS. Freddie Young had the reputa[…]
Scroll to Top