[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]ouses which had been which were a rabbit warren communicating with the tower. There was a small tower block there which had been used and occupied by Gaumont British in the ‘30s in fact a cousin of mine had been a sound recordist at Gaumont British there in the ‘30s so I'd heard of the place and my […]
[…]hink Frank may have been making his religious films, but he couldn't. He could sell his religious films and that's why he eventually bought Odeon and Gaumont because that was the only way he could get his religious films shown. But rank wasn't on the scene not in not as early as it's not in 40, as I[…]
[…]ut new reels and which one was which and which were the good ones and which were not so good and of course (phone) I thought the king of them all was Gaumont British News. And so I got myself on the tube and went to er Wardour Street and boldly walked up to offices and film house of Gaumont British […]
[…]cript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]
[…]purposes and had been to university and fought with some distinction in the First World War worked for Mick at Ealing and indeed before then at Gaumont. And it's quite amusing that there was I understand at the old Gaumont Studios, a long corridor, which was known as the Polish Corridor […]
[…] we shall be appearing at the corner of the High Street and Market Road, featuring Harry Trubshaw on the steam roller.” And then he would do the Gaumont British News thing, da, da, da, diddly doo, trying to do a physical impression of all the people in all the quadrants of the old picture, you […]
[…]nglander: Well as I say I started off at Stoll's as a clapper boy and progressed to first assistant. I left Stoll's after about 12 months and went to Gaumont's, Gaumont British at Lime Grove. I was there at Lime Grove until the sort of crash came, the general film industry crash in 1936, when we wer[…]
[…]was a complement recognition for the way I had performed during my training induction period with Ted. The Manchester City Centre units comprised The Gaumont (a roadshow type, separate performances operation akin to much of the Clerk Street unit’s operation), the Odeon (mainstream continuous perform[…]
